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By Emile YX? Of "Black-NOISE" And The Universal Zulu Nation! Made:2004

Vår Hiphop - Breaking

   

2009-04-05 16:46

By Emile YX? Of "Black-NOISE" And The Universal Zulu Nation! Made:2004

Hip Hop is the MC (not rapper), DJ or turntablists, B-boys or B-girls (not breakdancers), Writer (not graffiti artists), BeatBoxer and students of Knowledge of Self. These according to the founders of the culture are the main elements of the culture. Now you have world media calling Eminem, 50Cents and the rest of the multi-nationally backed "rappers", the upholders of HIP HOP CULTURE. Excuse me, but do they B-boy, write, MC and DJ ? HELL NO! So why do we perpetuate these lies?

They have no right to call what our ancestors created and gave as a voice for the people, whatever the hell they wish to call it. Strangely enough we just allow this bullshit to continue without any protest. We even reduce ourselves to speak their names and titles they named what we do. Hip Hop elders have not been approached in their research about the culture, they just named things as they wished. We sit in front of the TV and hear them spread these lies to the world and accept this powerless position they have put us in.

I HAVE HAD ENOUGH. It is time to set the record straight.
These titles that make up the HIP HOP CULTURE are titles that practitioners of writing, MCing, B-boying, DJing, Beatboxing earn and not just given to anyone. It is something that is earned with time, dedication, research and sacrifice. Nowadays everyone is a rapper and maybe they are right, because an MC earns that reputation for skill as well as ability to be the "master of the ceremony" (Where the name MC comes from by the way). Many of these rappers are studio rappers that have no stage, microphone or crowd/ audience control skills.

A true MC or Hip Hop head would not lie to the audience about fake bling, bling that he or she does not have, especially knowing how many youths are listening to them on the radio and watching them on the TV. A true B-boy or Hip Hopper learns the history of the culture and gives respect to those who have gone before. Those like Afrika Bambaataa, Kool DJ Herc, Grandmaster Flash, Grand Wizard Theodore, MC Cowboy, the Rock Steady Crew, The Nigga Twins, Pop Masters Fabel, Phase 2 and Mr Wiggles to name but a few who contributed to the REAL HIP HOP culture.

There are also Hip Hop histories in countries around the world and those contributions by those individuals have to be given the credit that they deserve. This new mentality of forgetting the past as quickly as a new song hits the number 1 spot on radio or MTV, is a global mentality. This eliminates resepct for elders and those that pave the way. It also seperates the younger practitioners from those who have experience and who could help them not repeat the mistakes that they have made before these young kids who are now earning millions. It is my opinion that it is for this very reason that the gap between the elders and next generation are made bigger by record companies and the entertainment industry. Their intention is to keep these younger artists as blind to the realities of the industry as possible. EXPERIENCE CAN NOT BE DOWNLOADED.

Do you think that classical music lovers would allow the world media to call their music "Screeching noise" or simply rename it whatever they wish, without putting up a fight ? I think the arrogance of the world media is because HIP HOP is considered a black sub-culture or street culture. Even the usage of the prefix "sub", implies something that is lesser than or under what might be considered cultural. Think about it a bit more.
We name it B-boying/ B-girling, they rename it breakdance, we name it Writing, they rename it graffiti, we name it MCing and they rename it rapping. It is an insult to our creative ability. They control the media and thus feel that they have the power to name whatever they wish and get away with it. Like Michael Jackson being called Wacko Jacko, this is like calling us "Nigger" and "Kaffer" all over again. We internalies the lies they feed us and start to believe what they call us. Attached to the medias version of Hip Hop are gangs, profanity and violence.

The REAL HIP HOP is a powerful tool globally bringing youth together and enlightening them to their true selves. REAL HIP HOP is educating youth, fighting AIDS, exchanging cultures, breaking down racism, protesting against global dictators.

I do this call out to all defenders of the TRUE HIP HOP CULTURE to use the correct terminology and free our culture from their verbal enslavement of it. Only once we do this will we be able to regain the financial control of this multi-billion dollar industry that they have almost taken complete
control of.

I know that everywhere in the world their are true soldiers of the REAL HIP HOP. Like Mr Devious, from South Africa, who was prepared to die for what Hip Hop has taught US. In the USA is the Universal Zulu Nation, Eazy Roc and Asia One that started the B-Boy Summit, also from the USA is Poe One and Cros One from the Freestyle Sessions event, in Germany is Storm and Swift of Battle Squad, also in Germany is Thomas of Battle of the Year, in Japan is Dance Machine, in Spain is Kapi, in Holland is Timski, in New Zealand is Norman, in South Africa is myself Emile of Black Noise, we have brothers in Brazil, Mexico, Sweden, France, Denmark, Zimbabwe, Australia and every other country on this planet.

We are many my brothers and sisters and our voice can never be silenced, but we have to RE-IGNITE THE FIRE OF TRUE HIP HOP REVOLUTION.

We have to insist that MTV Awards and Grammy Awards remove the false labeling of the best Hip Hop Artsist, until they are willing to call up a group that have writers, DJs, MCs, B-boys, etc.

I hope that you will forward these thoughts to all those concerned with HIP HOP getting the respect it deserves. And hopefully we will enlighten more youth to the REAL HIP HOP and not the FAKE one that is spread by MTV and other media.





Yours in the REVOLUTIONARY HIP HOP
Change must come
Emile YX?[/b]b]
Black Noise
Cape Flats Uprising cc 2004
Zulu Nation South Africa





"Concrete-Kingz".19CK99."Concrete-Kweenz"
19UZN73 - Holland Chapter/San Diego Chapter
5:1 ZULUS - Skandanavia

2009-04-05 17:36
tack, kunde inte sagt det bättre själv
RICOSTJÄRT ROCKÄRS

2009-04-05 21:29
Jag håller med, men samtidigt måste man lämna rum för förändring, en positiv sådan.
Det känns som vissa menar att allt måste se ut på ett visst sätt för att det ska accepteras inom hiphopkulturen, men handlar det inte också om att vara öppensinnad för nya idéer?
Jag tycker att det är viktigt att vissa inte tar sig rätten att bestämma vad som är rätt och fel för vem har den rätten överhuvudtaget?

Sen tycker jag inte att det som har gett folk en negativ bild av hiphop handlar om vilka termer man använder, utan att vissa använder det som en röst för hat, förstörelse osv.
Attached to the medias version of Hip Hop are gangs, profanity and violence.
Tycker hellre att man ska försöka vända allt och ge alla människor en positiv bild av hiphop, mer än att oroa sig över att nån skulle kalla det breakdance osv. Nu menar jag inte bara folk inom kulturen utan jag tycker att det är viktigt att "utbilda" folk utanför kulturen om vad det handlar om.

Om folk lär sig vad hiphop står för, för de flesta av oss, så tror jag att de kommer lära sig de andra också.

Jag hoppas mkt på att det kommer utvecklas ett mentorskap jorden runt, en organisation med samma budskap som lämnar över till nästa generation. This is my dream.

Och jag lär mig fortfarande.

F.ö en mkt bra text, mkt kärlek.

Peace.

(Hoppas folk förstår mig nu, huvudvärk som fan)


2009-04-05 22:43
Naked....

The organisation u talk about has been there for more than 35+ years and it´s called the:
"UNIVERSAL ZULU NATION" Est.: .19UZN73.

And on the issue of termonology: It is important that u realize that our culture has been xploited since the coorprate world saw a potential to profit from it. sayin´ that it´s not important to take charge of our culture is ignorant. (i don´t think that´s what ur sayin´). But a fact is that the wrongfull treatment and the renameing of our cultures elements are giving a negative spin on it. Most cats today are calling Rap Hip Hop and just that alone gives a negative outcome to a younger generation. Why? Cause if u look at what The so called Rappers today are givin as an impression is that Hip Hop is money,bitches,guns,gangstaizm and drugs... so yeah termonology is something to be worried about! + How about showing some Respect to the creators and innovators that gave u these crafts and this Culture to work with?! Do ur history and understand the importance of all of us gettin´ organised and setting our own standards for the culture we live in!

For a positive change: Strength In Numbers And Organisation Within The Organisation!

Unity!

5 - 2 Become 1!

Djíng/Turntableizm - Breaking/StreetDanze - Mcíng - Writing - Knowledge -


"LIFE" Of The:

"CONCRETE-KINGZ" .19CK99. "CONCRETE-KWEENZ"

"THE ROCK SQUAD" .20TRS07.

"UNIVERSAL ZULU NATION" .19UZN73.
"Concrete-Kingz".19CK99."Concrete-Kweenz"
19UZN73 - Holland Chapter/San Diego Chapter
5:1 ZULUS - Skandanavia

2009-04-06 00:05
Helt ärligt tänkte jag inte på zulu nation. Det känns inte så utbrett här och jag ser inte ofta info om det. Skulle vara kul att se det växa fram mer här i så fall. (är inte medlem sj though)

Sen fattar jag det att det är många som vill utnyttja kulturen för pengars skull. Det ser man hela tiden när man ser t.ex breakare i nån smörig hårproduktreklam osv, bara för att det ska se yani coolt ut.

But a fact is that the wrongfull treatment and the renameing of our cultures elements are giving a negative spin on it. Most cats today are calling Rap Hip Hop and just that alone gives a negative outcome to a younger generation. Why? Cause if u look at what The so called Rappers today are givin as an impression is that Hip Hop is money,bitches,guns,gangstaizm and drugs...


Det var det jag menade :)
Och jag menar inte att det inte är viktigt med termerna. Bara att jag är mer orolig över synen på hiphop idag. Jag tror att termerna kommer med allt det.

Och när det gäller allt i livet så måste man veta vart man har varit för att kunna ta sig framåt. Men det mesta jag vet har jag fått lära mig själv. Det växer upp ungdomar ÖVERALLT som aldrig får "nyckeln" till den kunskapen.
And as I said, jag lär mig fortfarande men jag lär mig själv oftast. Det finns bara en person i min närhet jag kan komma på som har lärt mig om hiphopens historia. Men många ungdomar har bara mtv att lyssna på. Eller the voice...

Det behövs en mer utbredd och öppen kunskap så att ALLA kan ta del av den. Men det kommer antagligen alltid vara någon som vill utnyttja kulturen, men så e de med vilken kultur som helst. Tyvärr har hiphopkulturen blivit väldigt utsatt av pengagiriga nollor...

Peace.